1.21 Important Things

Several important things happen in quick succession. It’s starting to get pretty difficult to take pictures of everything!

Robin ages up into a child. Armed with the traits Couch Potato, Easily Impressed, and Diva, he’s promptly rushed off to boarding school.

Esau follows. He has the traits Couch Potato, Loves the Outdoors, and Slob. In order to rescue their house from imminent stink potential, his parents also rush him off to boarding school in the hopes that he’ll develop a nicer trait. Preferably one that doesn’t stink.

Carmen catches up with her brothers, leaving sister Pierette in the dust. She’s developing into a beautiful young fairy, proudly sporting the traits Insane, Absent-Minded, and Never Nude. Like her brothers, she, too, is sent to boarding school.

Having given birth to a new child and completing her life time wish, our Monet decides she wants to pursue other interests in life and retires from the Investigator business. No more chasing criminals for her. For now, the family has plenty of money invested in local business to keep the fortune on its feet.

The child in question is young Valentin Slender, but I fear he may not be the youngest for long. Monet and Faust are already trying to conceive a new member for the family.

Just when everything seems to be settling down, a taxi cab pulls up in front of the Slender home one day. Of course, everyone is too busy with their own thing to really notice it. The kids are at school. The toddlers are flailing and crying in the arms of the butler. Monet and Faust have slipped into some private corner for the night. So who’s in the cab? Who’s the stranger coming up the pathway?

It’s no stranger at all.

Cadmus Slender has returned.

And he’s not half-bad looking either.

1.20 Wives Of Our Lives

The next child is born within the next few days. It’s another girl, who Monet and Faust name Pierette.

Her birthstone is the white Opal, which is commonly associated with angels and positive emotions. In Ancient Rome, the opal was also associated with hope and good luck.

Eldridge has also aged into a child and carries the traits Artistic, Evil, and Adventurous. He’s immediately sent off to LeFromage Art School to develop his talents.

With the children aging up quickly, Monet decides it’s time to devote some serious attention to finding a suitable wife for Cadmus, who is a few days shy of becoming a teenager. Fortunately her work takes her all across town so she can meet the local teenagers and children lurking about. It’s also a good time for me to see how the other Sims have gone on with their lives while I’ve been busy taking care of the Slenders.

Monty Macduff is the child Joanie was carrying when the game started. He’s now a child, though he hasn’t inherited any of the Macduffs well-known witch powers.

Monet spots a teenaged Mara Nix at the library – mohawk and all. She grudgingly thinks to herself that if Mara does marry one of her boys, the haircut will have to go.

Finally, Sophie Rogers has blossomed into a beautiful teenaged fairy. She’s quiet adorable, actually.

And finally, Ichelle Maldano has aged up. I noticed that she already shares two traits with Cadmus; they could probably be a good match for each other. What I find a bit odd is that Ichelle has, for some reason, aged up before Cadmus, even though he’s a few days older than her. Must have to do with the boarding school.

Still, when Monet finds out she’s pregnant with the seventh child, she can’t help but feel unsettled. She has a feeling that when her children find out she’s been scouting out potential spouses, there will be issues.

1.19 What A Lovely Daughter Part II

Her daughter, the fairy. Monet almost couldn’t believe it.

It wasn’t as though she had anything against fairies, but growing up her parents had been increasingly rigid about the amount of exposure to supernatural elements. Perhaps it was because Monet had displayed some level of magical talent since her early childhood. Perhaps they hated Supernaturals, though they’d never said it out loud. Instead there had been a rigid set of codes placed upon her life which deliberately limited her time outside of the family property. She found herself in constant awe of the things she never knew. Her own witch powers hadn’t properly developed until she met Faust and he passed on her knowledge to her.

But fairies? They didn’t have any fairy blood in her family; Monet knew this for a fact. One of her most rigid lessons during childhood had been about her lineage and preserving the strictly non-Supernatural bloodline. And as she and Faust walked across the street to the Maldano house, all she could think about was the lack of fairy blood.

‘Are you sure you didn’t have any fairies on your side of the family?’ questioned Monet. She readjusted her grip on Carmen, currently tugging at strands of her hair.

‘I doubt it,’ answered Faust.

‘You doubt it? You mean you don’t know?’

‘Yes.’

‘Yes, you don’t know or yes, you do know?’

‘Both.’

‘…Never mind. I just don’t want to accuse Marigold of anything and then have it turn out that we’re wrong.’

‘Look, you said Marigold gave you a fairy enchantment while you were pregnant with Carmen, so that’s the only way that Carmen could have turned.’

‘I didn’t think fairy enchantments worked that way.’

‘You’d be surprised.’

Monet sighed. ‘Oh, well. At least you’ll finally meet Ichelle.’

‘Yes, the infamous Ichelle Maldano. You do realize that if we arrange a marriage between her and one of the boys, her vampire of a father will come after us?’ He paused. ‘How is it that the daughter of a fairy and a vampire turned out Muggle anyways?’

‘Doesn’t matter. Now, Faust, try not to be creepy.’

‘No promises.’

The door opened of its own accord when they approached. Monet wasn’t surprised. Sometimes, with a flick of her finger, Marigold let it open. Almost the moment they went in, Monet was hit with unfamiliar smells and sensations, such as the lingering sent of paper, wood, and a fire crackling in the corner.

So this is what an ordinary house looked like.

As it turns out, it wasn’t Marigold who greeted them, but young Ichelle Maldano. It had been a while since Monet had last seen her and she seemed much taller than she remembered. Locks of her thin black hair draped her face, still clinging to baby fat.

‘Hold it, Mrs. Slender,’ Ichelle held up her hand before Monet could speak. ‘I’ll let you into my domian, but no pets allowed!’

‘Pets?’ Monet repeated.

Ichelle pointed to Faust.

‘What? That’s my husband!’

‘Same thing.’

‘Honey, I’m a witch. You’re a muggle. I can set you on fire. You can burn.’

Ichelle’s face screwed up in concentration. ‘Fine, you may pass.’

‘Funny,’ Monet lightly guided her over to her husband. ‘Faust, this is Ichelle Maldano.’

Monet quickly guided Ichelle way when she saw the expression on her husband’s face.

‘Ichelle, I need to speak with your mother,’ explained Monet. ‘Is she here?’

‘Sure,’ shrugged Ichelle. She took a deep breath. ‘MOM! THOSE CREEPY WITCHES FROM ACROSS THE ROAD ARE HERE!’

‘Monet!’ Marigold immediately embraced Monet. ‘So good to see you.’

‘Pregnant again? Goodness, and I thought I had a hard enough time with just Ichelle and this is your sixth!’

‘You know me,’ said Monet. ‘I just hope that – Faust! Get away from the fireplace!’

‘I wasn’t doing anything,’ Faust defended.

‘We need to talk, Gold,’ Monet continued.

‘Of course,’ nodded Marigold. ‘Ichelle, why don’t you play with Carmen?’

‘Do I have to?’ Ichelle groaned.

‘Go on.’

‘Fine. Just make sure to put out the fire if you’re planning to leave the room. I don’t want to have to come down here and see the place up in flames!’

Monet and Marigold settled down in the living room, while Faust stood – transfixed – by the fireplace.

‘What’s this all about?’ asked Marigold. ‘You look awfully serious.’

‘Gold, be honest,’ said Monet. ‘Do you notice anything odd about Carmen?’

‘Well, I did notice she had fairy wings. I just didn’t think it was polite to mention it. How did you two get a fairy child anyways? Was the real Carmen stolen away in the night?’

‘No, she’s too much like Faust to be anything but his daughter…I was actually hoping you could tell me how it happened.’

‘I didn’t even know I was a fairy until I was twenty-three, remember? I don’t think I’m the best person to look to for a reference when it comes to fairies and genetics.’

‘But I think you know enough. And I think you’re a lot older than you say you are.’

‘What are you talking about?’

‘I think you’re responsible for turning Carmen into a fairy.’ Monet raised her gaze. ‘What I want to know is why.’

Marigold was obviously taken aback. She leaned forwards. ‘Really, Monet are you accusing me of turning your child? What makes you say that? You know I would never do something like that!’

‘Do you remember how I stayed at your house for a few weeks while I was pregnant with Carmen?’

‘Hard to forget. I don’t think Dante has.’

‘Well, you gave me a fairy enchantment you said was for luck. A few days later, Carmen was born. A fairy.’

‘Really, Monet – !’

‘You think you could’ve told me that the enchantment would turn my child into a fairy!’

‘The enchantment was harmless! It wouldn’t have – !’

‘Would it really? Did you turn Carmen into a fairy?’

‘Yes,’ Marigold pressed her lips together until they were a straight, harsh line. ‘Yes, I turned Carmen into a fairy.’

‘Why?’

‘What, do you really need to ask such a question? Other parents are thrilled when a fairy bestows such a precious gift on their child.’

‘I take it these parents knew that it was going to happen?’

‘Do you know Mrs. Rodgers? She didn’t complain when her Sophie sprouted those wings of her. Faust doesn’t seem concerned about this.’

‘He barely notices he has children – Faust, what have I told you about that fireplace? Get over here and sit down!’

Faust grumbled, sighed, and took a place by his wife, watching the conversation with intent interest.

‘Faust, have you noticed that Carmen’s a fairy?’ Monet asked.

‘…Carmen’s a what now?’ repeated Faust.

‘Never mind. Marigold, I want to know why you changed Carmen!’

Marigold, again, averted her gaze. This time Monet followed it and saw that she was looking directly at Ichelle and Carmen, who were playing within their sight.

‘What do you notice about Ichelle?’ Marigold asked quietly.

‘She’s your daughter.’

‘She’s a Muggle.’

‘Is that bad?’

‘Nothing wrong with it. If I had more children, if I stayed together with Dante, it might not be so bad, but she’s all I have. She’ll just grow up like everyone else, get a job, get married, maybe have children, and then she’ll die, like all creatures do. But she’ll do all that without being a fairy. She won’t live long and she won’t know the joys of flying or practising magic.’

‘So this is about Ichelle being Muggle?’

‘Only part of it. I did it because the fairies are becoming extinct.’

‘Don’t be ridiculous. There’s plenty of fairies in town.’

‘Not really. There’s the obvious ones like the Goodfellows and the Rodgers girl, but fairies living in the Sim world is becoming a rare thing. Many fairies are retreating to the woodland to establish “fairy colonies”. I’d love to go live in one of them, I really would, but…’

‘Ichelle’s a Muggle.’

‘Exactly. It occurred to me that soon, all fairies will leave the Sim world, and…I don’t want that to happen. Fairies think that they can ignore the Sim world, but they can’t. I grew up in this world and I’m being expected to leave behind all I’ve ever known. I think we need to get closer to normal Sims – or witches, as it may be – and that means that more fairies must be born from non-fairy couples, so the children can grow up knowing what it’s like to be part of the larger world, and sharing their experiences with these hidden fairy communities.’

‘So basically you just used my daughter as a social experiment! How could you do that?! I thought we were friends!’

‘Look, Maldano, you’ve gone too far!’ Faust finally stepped forwards. ‘Now I got a question for you and I want you to give it to me straight!

‘Where are your matches?!’

‘Missing the point, Faust!’ hollered Monet. ‘Haven’t you been paying attention? Marigold turned our daughter into a fairy to mess with our heads!’

‘Why I am I the bad guy?!’ exclaimed Marigold. ‘I’m just trying to help all fairies and you act like I’m a master criminal! It could be a whole lot worse! I could’ve turned her into a vampire like my stupid ex-boyfriend!’

‘It’s different when it occurs naturally! You changed her without my permission or knowledge! Who knows how she could’ve turned out? All I know is that you’ve violated every law of nature to change her into something she isn’t supposed to be! How do you expect me to overlook the fact that you’ve gone behind my back like that?’

Faust looked between the two women. ‘Carmen seems pretty happy to me.’

‘She doesn’t know the difference yet,’ murmured Monet.

‘Monet…Monet, please listen,’ Marigold pleaded. ‘I’m sorry, but this is something I had to do.’

‘No, I don’t want to hear it,’ Monet raised her hand. ‘We’re done with this. Eventually I might be able to forgive you, but right now…’

Monet paused, looked away, and then shook her head.

‘No,’ she said. ‘Faust, get Carmen and let’s go home.’

1.18 What A Lovely Daughter Part I

‘Faust, dear, have you noticed anything odd about Carmen?’

‘Well, she is the only girl…’

‘Not exactly what I meant. I meant, – have you noticed anything odd about the way she looks?’

‘…’

‘No! No, no, that’s not what I meant. I think it’s lovely that she has your…ears…But seriously, what do you make of that?

‘Looks perfectly normal to me.’

News Is Where the Heart Is

Nimble speaking.

Trying to get some 411 on what y’all are thinking about the blog so far. How are we doing? Is the story good? Is the story bad? Is there a story? Do you want there to be more narrative? None at all? More characters? No characters? (Although the last wish would be difficult to fulfill considering that this is a legacy…Aw, hell, I did NOT just call that a Wish.)

Also going to be showing off some other Sims stuff. I don’t really just play the Sims to play Sims, it actually isn’t uncommon for me to spend most of my time in Buy/Build mode, so I want to show off some of the houses I’ve created and some of the unaffiliated Sims and families I’ve pieced together. I care too much, I want to share with the world! So sit tight and I’ll get the next  installment of the Slender Sims up before the end of this week, but be patient – I got three essays due in two weeks and I haven’t even started any of them yet.

Curse you, real life! Why can’t you just let me go Simming? CURSE YOU!

(Not you guys. I love everyone person that reads this!)

1.17 Set In Stone

When Monet and Faust return from their very brief vacation, the oldest son – Cadmus – has grown into a child, while his younger brother, Esau, grows into a toddler. Cadmus now has the traits Genius, Good, and Technophobe.

Cadmus (top), Esau (bottom)

With that, Monet gets a wish to send Cadmus to Fort Starch Military School, the same school she graduated from. He’s off within a few Sim days, but not without a hug from his mother.

Faust disappeared for a while after this and when he came back, he returned with Carmen’s birth stone. Five children means that five birth stones now decorate the house, but right now, his main goal to to replace the heart-shaped rainbow gem he gave to his wife. In the confusion of the transfering of save files, I forgot to put that into the family inventory and it’s lost forever.

(From left to right)

Ruby | Cadmus – which I discussed in an earlier chapter.

Tanzanite | Robin – A non-traditional birth stone for December, it’s associated with calmness and serenity, as well as honesty. Occasionally it’s called the “workaholic” stone because it relieves stress.

(Again, from left to right)

Opal | ??? – Aah – this is actually a spoiler. I guess I forgot to take a picture without the opal there. Just pretend it doesn’t exist for the time being, yes?

Vampire’s Eye | Carmen – Now why did Faust give his daughter a vampire’s eye? Obviously this one doesn’t exist in real life. It’s meaning is quite clear, though, and perhaps ironic.

Fluorite | Esau – Fluorite absorbs negative vibrations, increases concentration, and makes people more decisive. No associated month that I can see, but I’ll have to research further on this subject.

Yellow Sapphire | Eldridge – Yellow sapphires promote righteousness and honesty. It’s also good for business. I guess because it’s bloody expensive.

1.16 Vacations Aren’t Exciting

 

Monet and Faust agree that it’s time to take a brief vacation.

It’s not as exciting as it sounds.

I mean, sure the town square’s pretty nice…

…There’s a cafe that they frequent…

…And there’s some obligatory cave-diving…

But mostly they just sleep.

1.14 The Girl

Monet is pregnant for the fifth time about three Sim weeks.

The new butler, Erik, is helping to take care of their children. For the record, the Slenders now have four children, all boys: Cadmus, Eldridge, Robin, and Esau, in addition to the new baby on the way. All of them were born quite close to together, with one pregnancy after another, but that hasn’t stopped Monet from finishing 20 out of the 35 cases she needs to complete for her life time wish.

(I forget which son Erik is holding in the above picture, but it’s probably Robin or Esau. There’s too many of them!)

By the time Monet is pregnant with the fifth child, Eldridge and Robin have both grown into toddlers.

Eldridge (top) and Robin (bottom).

I’m really impressed with how the children are turning out visually, but in this chaos, teaching all of them all the basic skills is impossible!

It’s gotten so noisy that even the Zombies are complaining about the racket. I decide that Monet will need some peace and quiet for her pregnancy, so I send her over to Marigold’s house for a few days.

Marigold decides to give Monet a fairy enchantment, but all is not well.

Dante and Marigold have gotten into another argument. My best guess from the speech bubbles is that they’re arguing about Ichelle. This is the only time Dante has so much as made a reference to his daughter, and both Marigold and Monet have had enough of it.

Monet encourages Marigold to break up with Dante, which she does without hesitation. Monet has an enemy through Dante – but I don’t think he’s worth breaking a sweat over. From here on out Dante sleeps on the couch downstairs.

(I don’t remember who the guy in the background is. Judging by the mask, he’s either a thief, a raccoon impersonator, or he just likes masks.)

Monet has a nice audience for when she goes into labour.

It’s a daughter!

Now, what to call her…?

I thought about it for a long time. A while ago, I joked about naming the firstborn daughter Carmen, because Monet resembled Carmen Sandiego in her red Investigator coat. Somehow that seems to be the only appropriate name at this point. Carmen Slender.

As for Faust, I think he’s going to crack.

1.13 Hairy and Thief

Monet gets out of the house a lot. She’s out there, solving cases, and making frequent visits to Marigold’s . In the process she learns a lot about what the other residents in the town are up to nowadays.

The Nix family has moved into the old house that Faust and Monet had their first two children in. The crib is still there, and the only bed in the main house belongs to that of the parents, so I can only assume that young Mara Nix sleeps in the basement where Hugh originally lived.

Monet has taken a liking to Marigold’s daughter, Ichelle. When she finds out she’s pregnant (yet again), she gets a wish to have a daughter and under her own free will develops a strong bond with the infant. However, the more time I have Monet spend at Marigold’s house, the more I hate that jerk, Dante. He and Marigold continue to get into arguments and he doesn’t even seem to notice that he has a child. (However, that might be because Monet’s always holding her.)

He also flirts with Monet. Doesn’t even seem to notice Marigold standing there.

Monet goes into labour a few Sim days later. For once, Faust is right there when it happens.

I think he remembers why he wasn’t there all the other times.

The moment Esau Slender is born, Monet gives him to Faust and hops out the door to solve another case.